The
syllabus for
Illinois Valley Community College's
Film, Art, and
Literature
Film 2010-01
T Th 9:30-10:45 AM
in A-321
Spring 2010
Kimberly M. Radek,
Professor
Office A-314
M 10:00-11:00 and 1:00-2:00
T: 9:00-9:30
W 10:00-11:00 and 1:00-2:00
Th: 9:00-9:30 and 12:30-2:00
F: 10:00-11:00
Phone: 815-224-0395
E-mail: kimberly_radek@ivcc.edu |
 |
| Helena Bonham
Carter as Ophelia in Zeffirelli's Hamlet (1990) |
 |
| |
W. G.
Simmonds's The Drowning of Ophelia (1910) |
Course Objectives
This course looks closely at the relationship
of film, visual art, and literature, focusing most specifically upon the
interaction between them from a historical perspective, i.e., how this
relationship has changed as the art forms have changed since their inception.
Required comparative readings and film and art viewings are a component of this
course.
General Education
This course has no required
prerequisites, counts for three hours of General Education credit at IVCC; and
transfers to IAI-participating schools as an HF 900 class, and, as such, it must
be approached with a serious and thoughtful attitude. In addition, it will help
you to attain several of the eight goals, deemed central to IVCC's general
education program, specifically:
Goal 1. To apply analytical and problem-solving skills to personal, social,
and professional issues and situations.
Goal 2. To communicate orally and in writing, socially and
interpersonally.
Goal 3. to develop an awareness of the
contributions made to civilization by the diverse cultures of the world,
including those within our own society.
Goal 4. To understand and use contemporary technology effectively and to
understand its impact on the individual and society.
Goal 5. To work and study effectively both individually and in collaboration
with others.
Goal 6. To understand what it means to act ethically and responsibly as an
individual in one’s career and as a member of society.
Goal 7. To develop and maintain a
healthy lifestyle, physically, mentally, and spiritually.
Goal 8. To appreciate the ongoing value of learning, self-improvement, and
career planning.
Required Texts for Purchase
Adams, Laurie Schneider. Looking at Art.
Upper Saddle River, New Jersey: Prentice Hall, 2002.
Brown, Dan. The Da Vinci Code. New
York: Doubleday, 2003.
Crichton, Michael. Jurassic Park. New York: Ballantine Books,
1991.
Giannetti, Louis. Understanding
Movies. 11th
edition. Upper Saddle River, New Jersey: Prentice Hall, 2007.
Lynch, Rose
Marie, and Kimberly M. Radek. Style Book. 2001.
(The free online version is sufficient.)
Soles, Derek. The Prentice Hall Pocket Guide to Understanding
Literature. Upper Saddle River, New Jersey:
Prentice Hall, 2002.
Grading Scale (%)
| A 100-90% |
B 89-80% |
C 79-70% |
D 69-60% |
F 59% and below |
Class Participation: 15%
Examination #1: 10%
Examination #2: 10%
Examination #3: 10%
Examination #4: 10%
Group
Form to Content Presentations (3): 30%
Interdisciplinary Research Project: 15%
Class Participation: You will be evaluated on your contribution and efforts to the class. All homework,
group projects, in-class writings, and quizzes will be graded
and make up your participation grade.
The Examinations: You will be tested over the material covered in class "lecture" material,
discussions, and assigned readings and viewings. The examinations may include short answer, multiple choice,
true/false, and passage, film, or work identification questions but will be largely comprised of essay
questions. These exams will show that you have read or viewed the assigned texts critically and analytically, identifying common themes and
techniques in them, and can write clearly about them.
For each
exam, there will be film and art viewings or literary selections that you will have to analyze.
The Presentations: In these
form to content presentations you and your group--each group
should have at least four people--will analyze and evaluate the artistic merits of your chosen
subject, showing how the director, author, or artist uses elements of the
artistic medium to communicate the theme of the piece. These presentations should, of course, have clearly stated thesis statements in their first
slide or paragraph and comply to the standards given in The Style Book. They
should mention the piece's theme and include a handout which offers a selection of the given piece which the class can see or read--and
study from later.
They will be given letter grades that will be converted to percentage points
before the final semester grade is calculated, and they will be evaluated on audience, grammar, organization, presentation, spelling,
and style as well as content.
Interdisciplinary Research Project: For this
project you will have several options, but your goal is to demonstrate what you
have learned about each art form and their interactions with each other.
You
might write a research paper analyzing the intersections and interconnections
between the works of a director, a writer, and an artist. You might create a
presentation in which you relate the three different art forms around one theme. You might analyze the
work of an artist who operates within all of these art forms. In addition
to this analysis, whatever the scope of your project, I will expect to see you
integrate outside research from at least three sources in some way. Likewise, I expect that you will address at least
one theory, either of aesthetics or ideology. Like the
presentations, these projects will be given letter grades that will be converted
to percentage points before the final semester grade is calculated, and they
will be evaluated on audience, grammar, organization, presentation, spelling,
and style as well as content.
Expected Student Outcomes
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Analyze various film techniques and genres to attain a
greater understanding and appreciation of the artistic quality of film. |
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|
Analyze various literary techniques and genres to attain a
greater understanding and appreciation of the artistic quality of
literature. |
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Analyze various art techniques and genres to attain a
greater understanding and appreciation of the artistic quality of visual
works. |
|
|
Demonstrate an understanding of the impact that history,
politics, and technology have had and continue to have upon the film, art,
and literature produced. |
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Express the way that society impacts films, art, and
literature and the way films, art, and literature impact society. |
|
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Explain the ways that film, art, and literature influence
and are influenced by each other. |
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Come to conclusions about the
roles of film, art, and literature in society and determine their
responsibilities to society and to each other. |
Skills Necessary for Successful
Completion
In this course, you must be prepared to
view films and art and read works of literature intellectually, artistically,
critically, and analytically and be able to express these ideas both orally and
in written form, and demonstrate a knowledge of the history, conventions, and
practices of these industries and their interrelation to each other.
Expected Student Behaviors
|
The student will read/view texts with understanding and appreciation, reacting to and analyzing what he or she has
read/seen, by the date(s)
they are to be discussed. |
|
The student will participate actively to lectures and discussions, asking/submitting questions for clarification on ideas or issues, if
needed. |
|
The student will participate in discussion, offering his or her insights about the literature or asking the class or instructor for
clarification on material he or she does not completely understand. |
|
The student will integrate and cite accurately information of other
writers, critics, or scholars, using those other opinions, beliefs, and/or
observations to support his or her own opinions, beliefs, and/or observations. |
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The student will synthesize lecture, discussion, and text materials to come to a more solid world view on the impact
these arts have and have had upon history, society, and the art world, and
vice versa. |
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Students will respect each other's personal beliefs and be committed to helping each other learn more about the course information
and themselves. Students will help each other become more confident in his or her own unique personal voice and see the authority in
his or her own personal experience. |
Plagiarism
The College's policy on plagiarism applies in this class; I will question you if your work does not appear to be your own. Keep all
notes, outlines, drafts, and finished assignments so that you can demonstrate that writing you have submitted is your own work,
should any question of plagiarism arise.
Tentative Class Schedule
|
Assignments |
Section 1 |
Literature and Its Elements
|
| Unit 1
14-26 January
|
Read Fiction Lecture and assigned
readings from Understanding Literature
Read Kate Chopin's "The Story of an Hour" and
"Désirée's Baby," Edgar Allen Poe's "The
Fall of the House of Usher," Richard Connell's "The
Most Dangerous Game," Charlotte Perkins Gilman's
"The
Yellow Wall-paper," and Michael Crichton's Jurassic Park
Begin reading Dan Brown's The Da Vinci Code
Quiz #1
|
| Unit 2
28 January-
4 February |
Read Drama Lecture and assigned
readings from Understanding Literature
Read Susan Glaspell's "Trifles"
and Andrew Niccol's rough draft of
Gattaca
Quiz #2
|
|
Unit 3
9-11 February |
Read Poetry Lecture and assigned
readings from Understanding Literature
Read Sharon Olds's "Sex
Without Love," Margaret Atwood's "Bored," Christina Rossetti's "Goblin
Market," Robert Frosts' "The
Road Not Taken," and John Keats's "Las
Belle Dame sans Merci"
Quiz #3
|
|
16-18 February 23 February |
Presentations Due: Form to Content on Literature
Examination #1 |
Section 2
|
Art and Its
Elements
|
| Unit
4
25 February
|
Read Chapters 1-3 in Looking
at Art
Read
Art Lecture Notes
Quiz #4
|
|
Unit
5
2 March |
Read Chapters 4-6 in Looking
at Art
Read Art Lecture
II Notes
Quiz #5
|
|
Unit
6
4 March
9-11 March
16 March |
Read Chapters 7-8 in Looking at Art
Quiz #6
Presentations Due: Form to Content on Art
Examination #2
|
Section 3
|
Film and Its Elements |
| Unit
7
18 March
Note: No classes on
23 and 25 March for Spring Break |
Read Photography
and Mise-en-scene Lecture and Understanding Movies, chapters 1 and 2
View Gattaca and
Jurassic Park
Quiz #7
|
| Unit
8
30 March |
Read Cinema History Lecture
Read Movement and Editing Lecture and Understanding Movies, chapters 3 and 4
Quiz #8
|
| Unit
9
1 April
6-8 April 13 April
Note: See me by 2:30
PM on 4/13/10
to withdraw from this class. |
Read Sound
and Acting Lecture and Understanding Movies, chapters 5 and 6
Quiz #9
Presentations Due: Form to Content on Film
Examination #3 |
Section 4
|
Bringing it All Together |
| Unit 10
15 April-6 May
11 May 9:00 AM |
Read Ideology
Lecture and Understanding Movies, chapters 10 and 12
View Independence Day
and Men in Black
Evaluating The Da Vinci Code
Project Due: Interdisciplinary
Research Project
Quiz #10
Examination #4 |
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The
Instructor's Homepage | IVCC Homepage
Contact Kimberly M. Radek, the instructor of Film, Art, and Literature, at Kimberly_Radek@ivcc.edu .
This page was last updated on
17 January 2010. Copyright Kimberly M. Radek,
2001.

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